Reimaging indigenous art and craftsmanship through sustainable capsule wardrobe clothing design: A culturally grounded design framework
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IDA: International Design and Art Journal
Abstract
With the rapid growth and globalization, indigenous knowledge is under mounting
pressure to continue its social visibility and economic appropriateness. This paper
discusses how Bidayuh cultural identity in Malaysia could be perpetuated by creating a
model of a culturally based, sustainable capsule wardrobe as a preservation and adaptive
continuity model. A mixed-methods approach was adopted, incorporating cultural
documentation, studio-based experimentation, and consumer evaluation. In three stages;
cultural grounding, sustainable experimental translation and social validation, the
traditional Bidayuh motifs, the meaning of the symbolic colors and principles of craft
were systematically rethought into capsule wardrobe clothes by the means of the
sustainable techniques. To determine consumer perception and acceptance, a survey of
116 Gen Z respondents was conducted. The findings reveal that indigenous conservation
is enhanced when cultural aspects are reinterpreted through wearable, integrated, and
sustainability-based systems. The paper presents a framework of Culturally Grounded
Sustainable Capsule Design, which places the concept of adaptive reinterpretation and
not mere replication at the heart of cultural sustainability in Borneo. The framework
provides a transferable framework on how to incorporate the indigenous knowledge in
modern sustainable fashion based on ethical underpinning, balanced translation and
empirical validation.
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Hatef Jalil, M., & Alison, J. E. (2026). Reimaging indigenous art and craftsmanship through sustainable capsule wardrobe clothing design: A culturally grounded design framework. IDA: International Design and Art Journal, 8(1), 65–80.
